"Omaha has given us the reigning heir to Henry Miller's dark emotional mirror, Townes Van Zandt's three-chord moan, and Lou Reed's warehouse minimalism: his name is Simon Joyner." — Gillian Welch

"Pound for pound Simon Joyner is my favorite lyricist of all time. He has shades of all the greats (Van Zandt, Cohen, Dylan) but exists in a space all his own ... He truly is an American songwriting treasure. It is my hope that more people will discover his music and share in the unique joy that it brings." — Conor Oberst

"Simon's always been a secret handshake amongst me and my peers. He's a pioneer. He's helped pave the way for many people, myself included. He's an artist in its purest form--for his only concern is crafting a
perfect song--which he's done time and time again."
  — Kevin Morby


Step Into The Earthquake is his latest album from 2017, released Oct. 06. in cooperation with our friends at Ba Da Bing (USA). Since the early 90s Simon Joyner recorded plenty of albums released through various labels (as Woodsist, Team Love, Jagjaguwar, Shrimper,  Sing Eunuchs! a.m.). For those see also his bandcamp page and his own Grapefruit label.


Simon Joyner is among America’s best songwriters, so says Gillian Welch, Conor Oberst, Kevin Morby, and others. With his new double LP, Step Into The Earthquake, the songwriter strikes for the personal while acknowledging that the times they are a-changin’ around us again. In fact, things are leaning shitty right now, and the characters in Joyner’s songs experience the dissolution of comfort amid anxious concerns regarding our turbulent times. Some of this is addressed directly in his most overtly political songs since his Room Temperature days, but it's primarily the way the characters behave and the near fatalism they confront in their daily lives. We all feel it, and natural disasters aside, avoiding acknowledgement of earthquakes emanating within can cause the most damage.
Joyner traverses the human predicament, in general, and the American psyche specifically, using fiction to tell difficult truths. Characters struggle through personal crises while absorbing America's currently failing experiment.

“Galveston” details a couple's doomed trip to visit a loved one dying in a hospital. “Illuminations” and “Annie’s Blues” explore the difficult relationships between parents and their adult children. “I’m Feeling It Today” slowly expands from an individual level in the first verse, through a couple’s relationship problems in the second, to the systems of oppression in the third, ending with the whole country’s state of being as the song concludes, taking place on election night from an Omaha bar. The epic last song on the album, "I Dreamed I Saw Lou Reed Last Night," takes up the whole fourth side and it's part dream, part invocation. Both Lou Reed and Woody Guthrie are channeled so that Joyner may follow their lead, holding a final mirror up to America as the album concludes. At the heart of this song cycle is the desire to connect in a time of upheaval.
To record, Joyner’s band, the Ghosts, holed up with longtime collaborator, Michael Krassner (Boxhead Ensemble), in Omaha's ARC Studio, developing songs from skeletal foundations (captured on the limited edition The Phoenix Demos) to full-on group efforts. Hence, each compositions’ power comes equally from the lyrics working in tandem with the subtle
Joyner’s vision may be dark but it stops short of nihilism. Where do we go from here? The best move towards answering that question is knowing where we stand right now. Joyner's expansive album offers a poet’s truthful view, however disconcerting, that to survive whatever is coming for us, we have to confront and understand it first. So, go ahead and step into the earthquake.