It had been clear from the Montana Casey directed video for the opening title track that this, by conservative count his 28th solo release within a decade, was to be something special.

Filmed from 360 degrees on a rooftop near his apartment in Brooklyn, sporting  his then signature fox mask, over ominous organ and double bass, Toby Goodshank slowly croons We got the generator bill in the mail today / That's when my father freaked out at the very bottom of his vocal range.

Much of Toby's work feels like a zesty thumb of the nose at domesticated bullshit; this album is unusually sombre and haunting in tone, written in the period following the death of his father and bringing his prodigious skills as a songwriter to bear on processing the accompanying grief and trauma. The lyrics, as ever, include a bricolage mosaic of cultural artefacts, lurid sexual outbursts and cryptic storytelling which twists this way and that, lulling you in before unleashing disarming clarity, as in (from track 3, 'Prelude to Fire') I wanna love me but I don’t know how / I wanna leave this life / I wanna change but I don’t know how / I’ve got to change / I’m scared to stay the same.

The album was recorded and heavily produced by Jack Dishel (also formerly of The Moldy Peaches) who had the stated aim of making “every song sound like it could be someone's favourite song of all time”. The pair together honed the gymnastic vocal sections and eccentric riffery in a process that Toby found “crazy” at first, being accustomed to recording quickly and with full autonomy.

The accompaniment to Toby's voice and acoustic guitar is minimal (drums, bass, organ, pads arranged by Dishel and some choice contributions - including electric saw - from other friends) but careful, and perfectly weighted to the strange, tight musculature of the songs.

The result is an album of such cohesion and emotional depth that, as an already confirmed stan, I delighted in it not just for my own sake but for how I could use it; it has since functioned like a gateway drug for most folk I aim to push into the devious musical world of this great songwriter Toby Goodshank.

( - Myles Manley)

1./A1. Truth Jump Fall
2./A2. Wedding Bells
3. /A3. Prelude To Fire
4. /A4. The Journey Back Down Jump Truth Mountain

5. / B1. Baby I Feel Like I Just Got Cut In Half
6. / B2. The 3 Is Silent
7. / B3. Sarah & Jon
8. / B4.My Reflection

All songs by Toby Goodshank  

Personnel:
Toby Goodshank Voice, acc. Gtr
Jack Dishel : all other instruments
except :
Steven Mertens : Bass (on 3.)
Julie La Mendola : Voice (on 3., 4.), Singing Saw (4.)
Bryan Copeland : Upright Bass (on 1.)

Produced, arranged, engineered and mixed by Jack Dishel at The Overlook, NYC

Remastered by Kramer from original master by Sarah Register

(p)&(c) 2011, 2022 BB*ISLAND under exclusive license from Toby Goodshank. All rights reserved. Made in the EU.

CD BBI 0402 / EAN: 4260064994028
LP BBI 0401 / EAN: 42600649904419
ltd LP BBI 0401 X/ EAN: 4260064990402

This release is a coop of BB*ISLAND with Lousy Moon and for the Netherlands with Tiny Room Records

Safety and product resources
(Sicherheits-und Herstellerinformationen,
according EU General Product Safety Regulations (GPSR)

product images: see above photos product page
product / product identifier :
Vinyl Record LP: cat# BBI 0401, barcode: 42600649904419
Music CD: cat# BBI 0402, barcode 4260064994028
Vinyl Record ltd LP (translucent curacao blue vinyl) : cat# BBI 0401 X, barcode: 4260064990402
manufacturer information / responsible person:
BB*ISLAND,
Quintus Kannegiesser,
Moorburger Elbdeich 273h,
21079 Hamburg,
Germany,
https:/bbislandmusic.com,
contact email: info@bbisland.de